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Dr. Pınar Yıldız

Pınar Yıldız
Bildquelle: Private

Freie Universität Berlin

Institut für Publizistik- und Kommunikationswissenschaft

Gastforscherin

Seit Dezember 2020 Gastwissenschaftlerin bei Akademie im Exil mit dem Post-doc Forschungsprojekt “Gendered memories and emotions in migrant cinema”

  • Freie Universität Berlin 

2020 (Januar-Juni) Wissenschaftliche Mitarbeiterin zu „Mourning and melancholia: How emotions construct collective memory” 

  • French Anatolian Research Institute, İstanbul

2019 Post-doc mit dem Titel Gendered memories: How migrant women narrate their migrant experiences 

  • Gender and Women's Studies Research Center, Kadir Has Universität İstanbul

2016 Dissertation mit dem Titel Images of Remembering and Forgetting

  • Institut für Sozialwissenschaften, Universität Ankara

2009 – 2017 Wissenschaftliche Mitarbeiterin 

  • Fakultät für Kommunikation, Universität Ankara

2004 Studienabschluss

  • Arbeitsstelle für Radio Fernsehen und Kino, Fakultät für Kommunikation, Universität Ankara

2021/11- 2022/02: Lehre zu "Gender and Society"

  • Universität Marburg 

2020 - 2021 Lehre zu "Gender and Society": Kurs “Memory and Gender in Cinema”

  • außeruniversitär

2016 - 2017 Dozentur: Forschungsmethoden der Sozialwissenschaft

  • Arbeitsstelle Journalismus, Universität Ankara, Türkei

2015 - 2016 Lehrassistenz: Dokumentation

  • Arbeitsstelle Radio TV und Kino, Universität Ankara, Türkei

2014 - 2015 Lehrassistenz

  • Arbeitsstelle Radio TV und Kino, Universität Ankara, Türkei

2013 - 2014 Lehrassistenz: Cinematographie

  • Arbeitsstelle Radio TV und Kino, Universität Ankara, Türkei

Forschungsschwerpunkte

  • Film- und Medienstudien
  • Gender Studies
  • Memory Studies
  • Migration Studies
  • Soziologie der Emotionen

Monographien

  • Yıldız, Pınar (2021). Kayıp Hafızanın İzinde (On The Trace of Memory Lost: Confronting the Past, Mourning and Denial in Cinema, Dissertation). İstanbul: Metis Publishing.

Buchkapitel

  • Yıldız, Pınar (2018). Sinemada Geçmişi Hatırlamanın Ayrımcı Politikası (Discriminatory Policy of Remembering the Past in Cinema). In: Ülkü Doganay (eds.), Ayrımcılığın Yüzleri (In Faces of Discriminatory). Ankara: Capacity Development Association and Human Rights Platform.

  • Yıldız, Pınar & Mersin, Serhan (2013). Transforming Hospitality: Forming New Transcultural Fields in Cinema. Gökçen Karanfil & Serkan Şavk (eds.), Imaginaries Out Of Place (p. 23-37). England: Cambridge Scholars Publishing.
  • Yıldız, Pınar (2015). Yeşim Ustaoğlu Sinemasında Travma ve Hafıza (Trauma and Memory in the Cinema of Yesim Ustaoğlu). In: Kolodziejski Maciej, Icbay Mehmet Ali & Arslan Hasan (eds.), In Contemporary Issues in Arts(p. 181-193). Germany: Ehrmann Verlag.

Artikel

  • Yıldız, Pınar (Erscheinung voraussichtlich 2022-2023). The Politics of Aesthetic and Ethical Memory: Confronting the Past in Fatih Akın’s The Cut, Memory Studies Journal.
  • Yıldız, Pınar (April 2018). Kolektif Hafızamızda ‘Susturulamayan Bir İç Ses’: Babamın Sesi (An Unrepressed İnner Voice in Our Collective Memory: Voice of My Father). Journal of Institute of Social Sciences, no 17. Istanbul: Mimar Sinan University.

  • Yıldız, Pınar (2015). Sinemada Hatırlamanın Politikası: Gece ve Sis (The Politics of Remembering in Cinema: Night and Fog). Journal of  Communication, no. 22. Istanbul: Galatasaray University.

Report und Guide

  • Yıldız, Pınar & Erol, N. Ceren (2018). Mülteci Kadınlar ve Medya: Hak Odaklı Habercilik Rehberi (Migration Women and Media: Guide of Rights-based Journalism), Under the Programme “Ending Violence Against Women: Implementing Norms, Changing Minds”, with Women’s Studies Association, UN Women Regional Office for Europe and Central Asia.
  • Yıldız, Pınar & Erol, N. Ceren (2017). Media and Gender in Turkey. Reporting at a project “We are still Journalist” (Hâlâ Gazeteciyiz). Embassy of the Kingdom of the Netherlands. https://halagazeteciyiz.net/2018/09/29/2081/

Konferenzpaper

  • "Felaketten Geriye Kalan Nasıl Anlatılır? Tanıklık Krizi ve Belgesel Sinema" (“How the Narrate What’s Left of the Disaster? The Crisis of Witnessing and Documentary Cinema”). The Unrecognized Genocide: Dersim 1937-1938, 18-20 November 2021, University of Dusburg-Essen, Germany.
  • Suriyeli Mülteci Kadınların Göç Sonrası Deneyimleri ve Medya Temsilleri (Post-Migration Experiences and Media Representations of Syrian Refugee Women) with  N. Ceren Erol. Migration and Gender Conference, Kırkayak Cultural Migration and Cultural Studies Center, 7-8 Sep 2019, Gaziantep-Turkey.
  • Eşikte Bırakılanlar: Türkiye’de Suriyeli Mülteci Kadınlar (Syrian Refugee Women) with N. Ceren Erol Salmanoğlu. Migration Research in Turkey from a Gender Perspective, Sabancı University, Gender and Women’s Studies Center of Excellence (SU Gender) and Migration Research Association (GAR), 3 May 2019, İstanbul-Turkey
  • Hayalet Sesler: Türkiye Sinemasında Bastırılanın Sesi” (Ghost Voices: Voice of the Repressed in Turkish Cinema). New Directions in Turkish Film Studies Conference: Cinema and VoiceKadir Has University, May 2015, İstanbul.
  • Yeşim Ustaoğlu Sinemasında Travma ve Bellek (Trauma and Memory in the Cinema of Yesim Ustaoğlu). V. European Conference on Social and Behavioral Sciences St Petersburg, 11-14 September 2014, Russia.

  • Bellek Mekanları (Spaces of Memory). Space and Culture, VI International Cultural Research Symposium, 8-10 September 2011Kadir Has University, İstanbul.

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