Dr. Yulia Yurtaeva-Martens

Division Media Analysis/ Research Methods
Institute for Media and Communication Studies
Department of Political and Social Sciences
Researcher
Project "From Dallas to Berlin on Demand: The Transnationalization of Meaning? A Multilevel Replication Study in Israel and Germany" funded by the German Research Foundation (DFG)
Room 302 (3rd floor)
14195 Berlin
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Since May 2024 |
Research Associate (PostDoc) Research project “From Dallas to Berlin on Demand: The Transnationalization of Meaning? A Multilevel Replication Study in Germany and Israel” Institute for Media and Communication Studies, Freie Universität Berlin |
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2023 - 2024 |
Research Associate Media Studies Program Film University Babelsberg "Konrad Wolf", Potsdam |
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2023 - 2024 |
Research Associate Research Project “For Real? Virtual Encounters with Holocaust Survivors” Film University Babelsberg "Konrad Wolf", Potsdam |
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2022 - 2023 |
Research Associate Research Project “Value of News: The History of the German Press Agency (dpa)” Leibniz Institute for Media Research | Hans Bredow Institute, Hamburg |
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2021 - 2023 |
Research Officer for Academic Early Career Support Research and Transfer Department / Graduate Academy Film University Babelsberg "Konrad Wolf", Potsdam |
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2009 - 2021 |
Research Associate Media Studies Program Film University Babelsberg "Konrad Wolf", Potsdam |
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2004-2008 |
Diploma, Audiovisual Media Studies Academy of Film and Television "Konrad Wolf", Potsdam, Germany Thesis: “Media Usage of Late Ethnic German Resettlers from the Former Soviet Union: A Case Study of Television Viewing” |
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2002 - 2004 |
Basic Studies (Grundstudium) History and Film Studies Freie Universität Berlin |
Memberships
- German Society for Media Studies (GfM) – member of the Television Studies, Media Education, and Media Studies & Dis/Ability Studies working groups
- German Communication Association (DGPuK)
- Brandenburg Center for Media Studies (ZeM)
- Study Group on Broadcasting and History (RuG) – Network for Media History and Audiovisual Heritage, Deputy Chair
- European Network for Cinema and Media Studies (NECS)
- Centre for Transnational Media Research (CTMR), Denmark
- International Association for Media and History (IAMHIST)
- European Media Historians Network (EMHIS)
- Women’s Film and Television History Network (WFTHN)
- International Association for Media and Communication Research (IAMCR)
- Transnational television
- History of television and media, especially the history of media organizations and events from a transnational perspective
- Research on women in the history of media
- Production studies
| Monograph | |
| 2025 |
Yulia Yurtaeva-Martens (2025): Geschichte der Intervision. Der transnationale Fernsehprogrammaustausch in Osteuropa 1960–1993 (History of Intervision: The Transnational Exchange of Television Programs in Eastern Europe, 1960–1993). Dissertation, Department of Media Studies, Film University Babelsberg KONRAD WOLF, Potsdam. Springer VS, series Film, Television, Media Culture of the Film University Babelsberg KONRAD WOLF. |
| Selected Publications | |
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2025 |
Yulia Yurtaeva-Martens (forthcoming): Cross-cultural, but Illegal: Piracy and Media Content in Russia. In: Lothar Mikos, Gisela Dachs, Anne Beier, and Benjamin Nickl (eds.), Revisiting “The Export of Meaning”: Cross-Cultural Television Audiences in the Age of Streaming. Amsterdam: Amsterdam University Press. |
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Yulia Yurtaeva-Martens, Lothar Mikos (forthcoming): Transnational Television Flow in East Europe in Times of Conflict. In: Gintaras Aleknonis and Tobias Hochscherf (eds.), Conflict Resolution and the Cold War: Media Encounters across the Iron Curtain. London/New York: Bloomsbury. |
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Yulia Yurtaeva-Martens (forthcoming): Unterhaltung, Politik und vermeintliche Realitäten im Kontext von Reality-TV (Entertainment, Politics, and Constructed Realities in the Context of Reality TV). Online Dossier on Streaming, Federal Agency for Civic Education (Bundeszentrale für politische Bildung), www.bpb.de |
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2024 |
Susanne Eichner, Yulia Yurtaeva-Martens (2024): Arbeit/ Klasse/ Gender im Unterhaltungsfernsehen am Beispiel von Germany’s Next Top Model (Work/Class/Gender in Entertainment Television: The Case of Germany’s Next Top Model). In: Dagmar Hoffmann, Moritz Stock, and Florian Krauß (eds.), Fernsehen und Klassenfragen (Television and Class Issues). Konstanz: UVK. |
| 2022 |
Claudia Wegener, Kirsten Müller-Vahl, Carolin Fremer, Lisa Plumeier, Yulia Yurtaeva-Martens, Luise Laudenbach, and Anna Pisarenko (2022): Dissemination and Reception of a Functional Tourette-like Behavior via YouTube: A Qualitative Study with German Patients. In: Information, Communication & Society. https://doi.org/10.1080/1369118X.2022.2133550 |
| 2019 |
Susanne Eichner, Yesim Kaptan, Elizabeth Prommer, and Yulia Yurtaeva-Martens (2019): New Media and Audience Behaviour. In: Claus Arnold, Susanne Kinnebrock, and Pascal Preston (eds.), The Handbook of European Communication History. Oxford: Wiley Blackwell. |
| 2017 |
Yulia Yurtaeva (2017): Medientagebuch als Erhebungsmethode in der qualitativen Forschung (Media Diary as a Method in Qualitative Research). In: Lothar Mikos and Claudia Wegener (eds.), Qualitative Forschung. Ein Handbuch, 2nd edition. Konstanz: UVK/UTB. |
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Yulia Yurtaeva (2017): “Jetzt festivalt auch die Television.” – Television Festivals of the 1960s. In: Caroline Moine and Andreas Kötzing (eds.), Cultural Transfer and Political Conflicts. Film Festivals in the Cold War. Göttingen: V&R unipress. |
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| 2016 |
Yulia Yurtaeva and Lothar Mikos (2016): Song Contests in Europe during the Cold War. In: Karina Aveyard, Pia Majbrit Jensen, and Albert Moran (eds.), New Patterns in Global Television Formats. Chicago: Intellect. |
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Yulia Yurtaeva (2016): Private Internetplattformen als Medienarchive und neue Forschungsräume (Private Internet Platforms as Media Archives and New Research Spaces). In: Sascha Trültzsch-Wijnen, Alessandro Barberi, and Thomas Ballhausen (eds.), Geschichte(n), Repräsentationen, Fiktionen. Medienarchive als Gedächtnis- und Erinnerungsorte (History/ies, Representations, Fictions: Media Archives as Sites of Memory). Jahrbuch Medien und Geschichte 2016. Köln: Herbert von Halem. |
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| 2015 |
Yulia Yurtaeva (2015): Ein schwarzer Rabe gegen Conchita Wurst oder wovor hat Russland Angst? (A Black Raven against Conchita Wurst – or What Is Russia Afraid Of?). In: Christine Ehardt, Georg Vogt, and Florian Wagner (eds.), Eurovision Song Contest: Eine kleine Geschichte zwischen Camp, Trash, Geschlecht und Nation (Eurovision Song Contest: A Brief History between Camp, Trash, Gender, and Nation). Vienna: Zaglossus. |
| 2014 |
Yulia Yurtaeva (2014): Programmaustausch zwischen Ost- und Westeuropa. Institutionelle Rahmenbedingungen von 1945 bis 1990 (Television Program Exchange between Eastern and Western Europe: Institutional Frameworks, 1945–1990). In: Susanne Eichner and Elizabeth Prommer (eds.), Fernsehen: Europäische Perspektiven (Television: European Perspectives). Konstanz: UVK. |
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Yulia Yurtaeva (2014): Intervision. Searching for Traces. In: VIEW: Journal of European Television History and Culture, Vol. 3, No. 5, Special Issue Television Histories in (Post)Socialist Europe. |
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| 2013 |
Thomas Beutelschmidt, Richard Oehmig, and Yulia Yurtaeva (2013): Grenzüberschreitungen. Internationaler Programmtransfer als transkulturelle Kommunikation zwischen West- und Osteuropa am Beispiel des DDR-Fernsehens (Crossing Borders: International Program Transfer as Transcultural Communication between West and East Europe Using the Example of GDR Television). In: Rundfunk und Geschichte, 39(3–4). |
| Reviews | |
| 2023 |
Yulia Yurtaeva-Martens (2023): Review of: Oberkrome/Schüßler (eds.) (2023): Arbeiten zwischen Medien und Künsten. Feministische Perspektiven auf die erste Hälfte des 20. Jahrhunderts (Work between Media and the Arts: Feminist Perspectives on the First Half of the 20th Century). Berlin: Neofelis. In: Medien & Kommunikationswissenschaft (M&K), 3/2023. |
| 2012 |
Yulia Yurtaeva (2012): Review of: Walk (2011): Das Andere im Tatort. Migration und Integration im Fernsehkrimi (The Other in Tatort: Migration and Integration in the TV Crime Series). Marburg: Tectum. In: tv-diskurs, 16(3), p. 110. |
| 2011 |
Yulia Yurtaeva (2011): Review of: Trebbe/Heft/Weiß (2010): Mediennutzung junger Menschen mit Migrationshintergrund (Media Use of Young People with a Migration Background). Berlin: Vistas. In: tv-diskurs, 15(3), p. 92. |
| 2010 |
Jesko Jockenhövel , Yulia Yurtaeva (2010): Review of: Lepa (2010): Jenseits des Films. Kritisch-realistische Rekonstruktion von Filmverstehen und Filmreflexion (Beyond Film: Critical-Realist Reconstruction of Film Understanding and Film Reflection). In: Zeitschrift für qualitative Forschung (ZQF), 10(2), pp. 345–347. |
| Conference Presentations (Selection) | |
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2025 |
“Germanness Re-Negotiated: Transnational Readings of Berlin-Based Television Series in the Streaming Era” |
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“Gray Zones of Streaming: Alternative Practices of Media Consumption”, (part of the Panel “Upstairs, Downstairs: Television and Platforms between Seduction and Empowerment”, |
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“Streaming Platforms and the Negotiation of Germanness in Contemporary TV Series” |
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“Media Engagement and Public Discourse in Russia After 2022: Negotiating Boundaries and Strategies of Legal and Illegal Media Practices” |
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“Streaming Germanness: National Narratives in Contemporary German Series” |
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“Netflix after Netflix? – Unlicensed Audiences in Russia Before and After 2022” |
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“Invisible Work? Women Behind East German Television” |
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“Streaming and Piracy in Russia: How the Withdrawal of Netflix & Co. Is Reshaping the Media Landscape” |
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“Democracy Crisis in Babylon Berlin: How social media users reflect contemporary political challenges while watching TV Series” |
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“(Localized) Streaming Series as a Source of Value Discourses in Media Reception: Challenges of a Transnational Replication Study” |
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“From Berlin to Israel: Value Negotiation in the Reception of German TV Series” |
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“Blurred Roles – Blurred Values? Self-Presentation of Young Journalists on Social Media” |
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2024 |
“Evolution of Educational Formats: Volumetric Media, VR, AR, XR, and AI” |
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“Assembling Transnationally: Program Exchange, Audiences, Television Festivals” |
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“DEFA and Television: Gender Perspectives” |
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“Between Private and Professional Roles: How Do Young Journalists Present Themselves on Social Media Platforms?” |
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2023 |
“In Real Life? – Virtual Encounters with Holocaust Survivors” |
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“Television festivals as a blind spots in contemporary television practices” |
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“Narratives of the Neurodiverse: A Longitudinal Study on the Representation of People with Tourette Syndrome on Television and Social Media” |
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2022 |
“The ‘value’ of Gemany’s national news agency ‘dpa’” |
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“Negotiations of Work in Entertainment Television: The Case of Germany’s Next Top Model” |
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“Transnational Television Flow in East Europe in Times of Conflict. Intervision and the Prague Spring” |
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2018 |
“The Intervision Network” |
